CABS

dunklab:

MK Loves The Illuminati (x)

(via hiphoplaboratory)

treandice:

leonking23:

camillessketchbook:

iluvsouthernafrica:

Namibians wearing Vellies (Shoes)

“Velskoen, pronounced “fell-skoon” and known colloquially as “vellies,” are the ancestor of the modern-day desert boot. Vellies were first made in the 1600s, inspired by the footwear of the Khoikhoi tribe and crafted using raw materials. Later, our vellies were adapted by British travellers, packaged and renamed to be what we now know as desert boots.

(Brother Vellies) are made in the coastal town of Swakopmund, Namibia. There, a small group of eight Damara gentlemen assemble every shoe by hand, turning out just 20 pairs an afternoon.

…Vellies are made of vegetable-dyed Kudu leather. The Namibian government mandates the culling of these large native antelope to control their population. Kudu skin yields amazingly durable leather and suede that ages exceptionally well. Because these hides are taken from wild animals they often show scars or other “imperfections” that domesticated hides do not.” 

ugh fashion i love it

Fly.

http://www.youtube.com/watch?v=kOKk1ywmNn0

5centsapound:

Maïmouna Patrizia Guerresi 

As a photographer, sculptor, and installation artist, ‘Maïmouna’ Patrizia Guerresi reveals unique and authentic sensibilities in her narration of the beauty and subtleties of racial diversity and multiculturalism. Over an established career, she has developed her own symbolism, which combines cosmological and ancestral traditions belonging to various European, African, and Asian cultures. Her personal commitment to Baifall Sufism has led her to produce an aesthetic that is able to bridge time, space and civilisations, as well as figuration and abstraction.

The human body is seen as the nucleus and temple of the soul, a place that houses a delicate, higher awareness; the very conduit for encompassing natural and cosmic forces. More about mysticism than any singular religion, her work is visionary in that it restores those elusive qualities of sacredness and unity in our frequently dehumanising and fragmented contemporary visual world. Her classic iconographic style explores the universality of human experience and reclaims the often hidden nurturing powers of feminine energy. Presented as a kind of free flowing epic, the viewer is left to read the significance of her imagery and quietly meditate on its potential to personally engage with its audience. As if her figures were speaking directly to each one of us.

From her earliest experiments with the physicality and archetypal imprinting of the psyche, through to her latest, evermore metaphoric ‘inner constellations’, Maïmouna insists on a cross-cultural discourse and an expansion of the boundaries that normally dictate our individual attitudes. She invites us to see further and to look deeper – past skin colour, preconceptions, and ethnic landscapes – into the wider paradigm of inclusion. She leads us through apparently simple notions of dimensionality into the exquisite, mystical and fragile complexities of life from within. - Rosa Maria Falvo, 

(via queennubian)

azryal00:

weaklungz:

ethnicnraunchy:

jeenyusjane:

Know Your History: Uppity Negroes.

1. Abram Petrovich Ganibal

2. Ignatius Sancho

3. Alexandre Dumas

4. Chevalier de Saint George

5. Olaudah Equiano

LOL! Everyone knows there were no Black people in Europe…..

Son of #3 is that Alexandre Dumas. You know, the author.

I honestly had no idea he was a POC! Fucking rad!

Dumas is my history crush. He had so much win. All of it. 

(via shabazzpizazz)